![]() The song begins in a mellow tone, with a pedal steel guitar playing against the backdrop of a pool party, as Moroder speaks English, in a heavily-laced German accent, about his life as a musician. Within the song there are various tempo changes, as used by Genesis in the 1970s. People love the positive vibe of the song.įor ‘Giorgio by Moroder’ they collaborated with another pioneer of the disco era, Giorgio Moroder, the composer and producer of Donna Summer’s disco classics ‘I Feel Love’ and ‘Love to Love You Baby’. His imitable slick guitar licks form the heartbeat of ‘Get Lucky’, which is funky, groovy, energetic, that has conquered hit charts throughout the world. Previously, ‘Voyager’ from the ‘Discovery’ album featured funky guitar playing, but now they have the real deal: Rodgers. For Thomas Bangalter and Guy Manuel de Homem-Christo, the album’s title served as a guidepost and justification for the different songs and various guests whom they invited to contribute to the album.įor the album’s first single, ‘Get Lucky’, they collaborated with the producer and founding member of Chic, Nile Rodgers, and Pharrell Williams of N.E.R.D. Through collaboration with different musicians, Massive Attack manages to keep their music fresh and surprising to the ear, both for them and their fans.ĭaft Punk’s second album, ‘Discovery’, relied on electronics and samples, but ‘Random Access Memories’ mainly relies on live musicians. On ‘Heligoland’, their last album, most of the tracks are sung by different guest vocalists, including Tunde Adebumpe (TV on the Radio), Damon Albarn (former Blur), Guy Garvey (Elbow), Hope Sandoval (Mazzy Star). The song’s lyrics were sung by Horace Andy, a roots reggae songwriter, who contributed to all Massive Attack’s studio albums. The contribution of the rock guitarist, Angelo Bruschini, was substantial to the band’s new musical direction, as introduced by the album’s opening song, ‘Angel’, which showed an ominous, darker sound. The band, which started as a trip-hop band, moved into experimental rock with their third album, ‘Mezzanine’. Robert del Naja has been the driving force in inviting other musicians to work with them on their albums as he has always been open, and eager, to explore new musical directions. Massive Attack scored their biggest hits when female guest vocalists provided the lead vocals for their songs: Shara Nelson sang ‘Unfinished Sympathy’, Tracey Thorn (Everything but the Girl) sang ‘Protection’, and Elizabeth Fraser (Cocteau Twins) sang ‘Teardrop’. Similar to Massive Attack, Daft Punk invited various artists to work on their fourth studio album ‘Random Access Memories’, which has resulted in a variable and vivid album where t he whole is greater than the sum of its parts.
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